Category Archives: Writing

Experiments in Fiction: The Metal Wheelbarrow

The rain fell in occasional droplets.  The falls were ended by sharp pokes at their targets.  And I sat still, full of dirt and stone.

In the rain I was moved by my master.  I leaned forward as my arms stretched out behind me, and he, grabbing my hands, pushed.

The dirt shifted, the stone groaned and moved, and I was empty.  I sat, wet, empty in the rain, looking up at the sky willfully collecting its water.

The rain pinged against me, my skin hard against its lurid violence.  I sat, and I started to shine.

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Filed under Fiction, Flash Fiction, Writing

A Writer’s Journal: Flash Fiction

This week I tried an experiment.  I’ll be honest, it was born more out of laziness than anything.  I had a story idea, and it was all worked out in my head.  Every day a new post.  And it was going to be a long one too.

Not too long, mind you.  But long.  It revolved around several characters, and it was taking some time to make sense of each of them.

While I was procrastinating, I found a story by Hemmingway, or at least attributed to him.  I’ll put it in this post, it’s not too long:

“Classified: Baby Goods.  For sale, baby shoes, never worn.”

Nine words.  Nine.  I’ll be honest, when I first read it I wasn’t that impressed.  Actually, I was confused.  I said to myself Well that’s good and all, but what the hell did that story accomplish.

So naturally I researched it, tried to find its meaning.  That part I won’t spoil.  Mostly because there is no definitive answer.  But it did clarify the mystery of the story.  It isn’t the words, necessarily, it’s what he doesn’t write.  To some that’s a dumb excuse not to write a story.  But the beauty of the sentence is that it writes a story in your mind, or at least it should, without actually writing the story.

Some of you are saying “But Eric, didn’t you say you weren’t going to give away the meaning of Hemmingway’s story?”  Sorry, I’m writing stream of consciousness.

Now back to the journal, instead of the conversation with an imaginary reader.  Where was I?

Right, I was intrigued by this sentence/story.  The more I looked into it, the more I wanted to know about it.  Then, in my research, I stumbled upon the term ‘Flash Fiction.’  Something I hadn’t heard of in a long time.  And something that I’d considered trying before, but either dismissed it as lazy writing or delayed its attempt for another day.

As I mentioned earlier in the week, it’s a short story that consists of either less than 100 or 500 words, and probably wherever in between.  The idea is to write incredibly efficiently.  To create more of a story outside of the words on the page.

Which brings me to this week’s experiment.  I decided to write flash fiction all this week (though due to the responses I’ve been getting, I might extend that).  I thought I’d try my hand at stories that were 100 words or less.  To see if I could do it.  And let me tell you, it’s far harder than it seems.  You first think: “100 words or less?  So you’re saying you found an excuse to shorten your posts, making them 1/15 of what they normally are?”

Kind of.  But it’s intriguing, and frankly I think it’ll help me as a writer.  If you’re a writer, try it.  It’s not unlike poetry, in that you have parameters to work within to say what you want to say, but it’s still prose.  And it will help you work with writing efficiency, editing, plot development, character development, and so on.

I’ve had a lot of writers come to me and say wordiness is their bane, the thing that always weighs down their writing.  Try flash fiction.  If nothing else, it’s a fun experiment.

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Filed under Flash Fiction, Journal, Writing

Experiments in Fiction: Evelynn, Love of His Life

Who the fuck cares what she thinks.  I don’t need Her. What a bitch, what an absolute bitch.  Who does she think she is anyway?  I’m better off on my own!  I can get any girl I fucking want! I hate Her.  Who needs a bitch like that?  I’m breaking it off.  Yeah, glad to be done with Her!  I mean, think about it.  I have friends.  I have myself.  All she was was a goddamn pain in the ass!  I’m better off…

His phone rang, and his body relaxed.

“Hello?  Evelynn?  Yeah, I know.  I love you too.”

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Filed under Fiction, Flash Fiction, Writing

Experiments in Fiction: First Time Skydiving

We’ve been falling too long, she thought.

Her first time skydiving and the instructor didn’t open the chute. Unbelievable.

Falling for minutes now. What the hell do I do? Hit him on the head? Yell? No, I’m already yelling.

She saw them pack the chute. She saw the timeline. It was coming.

The instructor tapped her shoulder with a thumbs up. “We’re OK, here goes the chute!”

She relaxed, The chute’s coming. We won’t die.

She felt a tug and the chute went up.

We aren’t slowing down.

The tug was gone, and she saw the strings fall around her.

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Writing Journal: Eyes Closing

I figured I’d start journaling about some of my stories, considering how interesting this process was.  I started writing it almost immediately, without much thought about it.  But I came across some issues in the meantime.  It’s a journal about Eyes Closing, part 1, part 2, and part 3.

 

This may have been the hardest story for me to write.  Which is, in part, why it took so long to post the entire thing.  I feel somewhat guilty that it was so spread out, but at the same time I dove in head first where I should have tried to wade in slowly.

Oftentimes you’ll hear a writer talk about writing a character, then becoming immersed in a character and wanting to run with the character instead of the story.  Well that happened here.  And because the story is so heavy, it affected my moods, my sleep, my emotions…really incredible how that happened.

Though I kind of wish I could have separated myself more, like I’ve always done in the past.  But emotions weren’t the only tough thing at play in this story.   Yes it was hard to write in that respect, but the physical aspects were tough as well.

First, my protagonist was blind, which I have absolutely no experience in.  None.  And I don’t pretend to.  And frankly that was very interesting research.

Although I do have to say, I don’t think I’ve ever felt so dumb as when I googled “what do blind people see?”  Seems contradictory.  But, and excuse my complete ignorance here, there actually is an answer, and the degrees of blindness vary greatly.

Also the procedure I mentioned in the story is somewhat of a true thing.  The article there is from 2007, and I didn’t find much after that, but it’s still very cool.  As far as the results, timeframe, effectiveness, and patient description from the story, however…I took complete creative license.

The advances they’ve made in gene therapy though is incredible.  Really, the article is a very good read.

As far as the pond is concerned, it was based on a real pond.  Surprising right?  What writer would base something in their story on a true thing?  That’s crazy talk.

Here's the inspiration for the pond. Notice the tire in the foreground.

The pond was odd, and honestly it’s a peaceful place.  Not as bad as portrayed in the story.  However, there were frogs all along the edge of the pond that screamed and jumped in when you walked near them.  Kind of funny.

The story was a lot of fun to write though, and a great experience.  Hope you had as much fun reading it as I had writing it.

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Filed under Nonfiction, Writing, Writing Help

Eyes Closing, Part 3

Continuation of Eyes Closing, part 1 and part 2.

 

His legs lifted him slowly, like a hand-jack lifting a car; each knee unsure of its own strength.  His hands felt their way up the kitchen counter where he had fallen and grabbed the top to stabilize himself.  A breath rushed out and back in as the tracks his tears had laid sat still on his cheeks.

When he stood his hands broke away from the counter and tried to work his body toward the door, but his mind stood still.  His mouth was open, hoping to let in any ideas floating by.  But his mind was blank, overcome with grief, and he was desperate for a solution.

His hands retreated and instead shoved their fingers against his forehead, forcefully working their way to his hair, then through it.  Finally his eyes closed and he exhaled, and his hands tried once again to lead him to the door.  Fingering the knob, they led him outside.

He walked out of his apartment building, left, across the street, and into the park.  The geese flew overhead, shouting unheeded squawks at him.  The wind blowing the trees and bushes tried desperately to gain his attention, but he could not be shaken.  His mind struggled endlessly with his thoughts, trying to overcome them.  But their endless fight to gain favor led to him ignoring all of them.  Instead his fingers led him toward the bridge, contacting the hand rail and trudging over it.

Flakes of paint chipped off the wooden rail and fell into the stream that bumbled a hello to him, but never stopped in its quick, errant path through the park.

And he didn’t stop either.  His fingers led him over the bridge, 1, 2, 3, 4…15, 16 paces then left.

His mind was now reconciling with his fighting thoughts.  The stress from the transition after gaining sight was slowly dissipating, its remnants fading.  His eyes were now slowly opening to gather the path that he used to take.

1, 2, 3, 4…25, 26 then take the path right.

Each thing he saw was something different to him, and his mind became hungry.  His tears were now dried on his cheeks, hardened salt water dull in the sunlight.

1, 2, 3, 4…7, 8 then off the path into the woods for a bit.

Each thing from that day, his wife’s memory, the addict, the suicidal third grader, the ADHD case, and the mystery man who wasn’t much for speaking but spoke mostly with physical movement-all seemed to take a back seat as his surroundings seemed to invade his memory and sit forefront in his mind.  His mind was devouring the path in proceeding him.

1, 2, 3 rocks.  That means the next one is…

He looked up and he saw the pond.  The place where he had come for solace for so many years.  His rock where his own solitude brought his mind to rest and gave him peace.  But it wasn’t there.  Not the pond he knew.

The pond here was covered in green algae, almost looking like spoiled green salsa.  Mixed in with the sauce of the pond were bottles of beer, cigarette butts, a tire, a shopping cart, and other trash.  The bushes were scraggly and under-grown.  The branches he envisioned were now spindly fingers that hovered over the pond like a witch’s fingers over a cauldron.  The trees above it were barely hanging onto life, their leaves spinning slowly at the ends of each branch.

He slowly felt his heart and stomach become one and move their way up to his throat.  The thoughts that had receded came back all at once.  First his mystery man, confounding and bombarding him with new signals and no speech.  Few notes about the man, little clue as to why he really wanted therapy.

Then came the ADHD case and the mom, teaching how to deal with ADHD.  A constant inability to focus, mirroring his own mind as his thoughts surged.

After that, the suicidal girl.  What were her motives, how was her life, her abusive father, the constant insults, the negative reinforcement, all felt by him too.  His mind was now her emotional dump.

Igniting and inflaming those was the addict’s case, and his regrets.  His daughter leaving him, his family leaving him, his addiction overcoming him.  And his wife, whom the addict let go too soon to death.

Finally overpowering all of those were thoughts of his own wife-his last minutes with her, her picture in his apartment, memories of the both of them.  They came as one wave, together bowling over the others and crashing to the fore of his mind.

Tears then flooded his eyes, and his hands grabbed his pant legs tightly, while his feet fell motionlessly on the ground and his eyes took in everything around him.  His eyelids pushed the water out of his eyes as his eyes slowly closed and shut out the pond.

Suddenly the world changed.  The pond turned dark blue.  The water was shallow, and showed fish under its surface.  Over the green and purple fish swimming near the bottom were small waves mulling on the surface.  Hanging over were red bushes and undergrowth that housed small animals that made high pitched calls to each other.  Holding the bushes close at their feet were trees, with mossy trunks that led to orange leaves, full and waving in the wind, only partially obstructing the sun.  Whatever sun got through reflected off the birds at the tops of the branches touted their colorful heads and wings.

Suddenly the tears that were on his face a second ago dried up, their spring no longer flowing.  The thoughts from the day were quelled.  The mental notes from each patient had put themselves to rest, and the thoughts of his wife had returned to his memory.  His mind now held peace and thoughts of the pond.

His eyes remained closed, and his thoughts stilled.  His fingers loosened on his pant legs and stretched out.  His feet had become firmly planted on the ground, and his breathing had become normal.

His thoughts suddenly returned to the night before his procedure as he heard a nearby branch tapping on another branch.  The sound mimicked a cane on concrete, and with the tapping his fingers counted each one on his leg.

1, 2, 3, 4…

His other hand moved its way to his face, and brushed over his eyes.  Only a prick in the eye he remembered.

5, 6, 7, 8…

Then he mouthed his old thought, A new life.

…9, 10, 11, 12…

A new life.

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A Writer’s Guide: Self-Publishing

Welcome to the first of an infinite-part series I’m affectionately dubbing “A Writer’s Guide.”  I know, the name isn’t sterile at all.  It get’s the point across.  Look for it on Tuesdays, when I decide to tell you everything I know about writing (which is actually a lot, surprisingly).  I suggest you read, it’s an amalgamation of the knowledge gained from a very expensive English degree from a good university, reading books and articles, and talking to other writers-all right here!  You don’t have to go anywhere.  The next words are compiled so that you don’t have to do any more work than you have to!

Aren’t I nice?  The answer’s no.  If I was, I wouldn’t be delaying so much with all this useless script.

As an aspiring author, your first question must always be “what can or should I do as a job-because I need to actually make some money.”  It’s a natural concern, paying bills and whatnot.  But writing really isn’t as useless of a talent as you’d think.  I can’t guarantee you JK Rowling-type success, I’m sorry.  What I can say is this: making money off of writing is not hard, and publishing a book (or short stories) is easier than you’d imagine.  That is, of course, if you follow the right steps.  I’ll be focusing mostly on self-publishing tonight, considering that’s where a lot of writers end up.

“It’s so hard to get a publisher’s attention” or “I don’t want to pay out the ass for someone else to publish my book and get nothing from it” are complaints I’ve heard before.  And they’re valid.  What you have to realize is that (1) when you publish a book, most of the value is not from actual book sales.  That is a myth perpetuated by lazy thought (yes, there is a direct line from book sales to bank account, but it’s rarely traveled).  The money comes from, for the most part, things like public readings, book tours, marketing outside of the book, and, if you’re really good (or lucky) (…or you write about vampires) tv/movie production.

We won’t get into tv/movie production.  That’s for another day.  And probably another blog.

That’s really the first idea you have to rid yourself of-the fact that having a book published doesn’t immediately make you rich.  You’re not Stephen King.  The second idea (2) is that when you go through a publisher, you have to pay for professionals to treat your book right.  What that means is that you have to pay an agent, who has contacts and knows the field.  That agent will give your manuscript to publishers he/she thinks are appropriate.  You have to pay for the editors, marketers, publishers, and things like that.

Essentially what I’m saying is that there is a major cost in publishing, which goes back to the first point.  But those professionals aren’t useless, and they aren’t (always) trying to gouge you for money.  They just know their job better than you.

But let’s say they don’t.  Or like most writers, you have an ego the size of Jupiter and you think they don’t.  Well, then you’ve come to think that self-publishing is for the best.  Good for you!  That’s so exciting.

You don’t have a printing press in the basement, so what does self-publishing mean?  I heard of an author who had the idea to sell a digital version of a novel he wrote on iTunes for a dollar.  He made over $300,000.  That won’t happen to you, but it’s a thought to get your brain going.  You need to be different.

Self-publishing means that you essentially bypassed the agent, the publisher, the marketer, the editor, and decided to go it alone.  If you have friends that can help you out with any of that, I’d suggest combining their brain with yours.

What are the advantages?  For one, you can do what you want.  In many cases, you even still own full rights to your work.  For most authors that’s enough.  Second, if you’ve been rejected from other publishers, and you still feel your book should be published, then it can get published.  But whatever your reason, it is possible.

Disadvantages?  The cost falls completely on your shoulders.  Completely.  And because you don’t have that washing machine that doubles as a book press (though Sears should really get on that) you’ll need to contact many different kinds of publishers.

There are vanity publishers.  Stay away from these.  The reason they are called “vanity publishers” is because they’re appealing to your vanity.  They know you want to be published, so they’ll do it at some cost to you with no additional help whatsoever.

Subsidy publishers will help you, a little.  They own the rights to the work, and will aid in some aspects of selling your stuff.  After all, they put their mark on it.

Do it yourself.  That means you take on the responsibilities of book layout, editing, marketing, graphic design, web content, networking, and so on.  That’s a toughie.  And yes I said toughie.

There’s also print on demand, which frankly, if you’re going to self-publish, and you want to still own the rights, that’s probably what you want to look into.  Again, you still have to bear the cost.  But you order copies of your books as you want them.  Meaning you don’t have a specific initial shipment, you just get a certain number free (probably, with some print on demand sources) and from there you pay for a copy then sell it yourself.  You still have to do most of the work, but oftentimes they kind of work with you (mostly for their benefit so that they can use a standard layout).  Keep in mind, many times this is web based, and you will be selling an ebook.

Basically self-publishing is for authors who feel that they can do it on their own, whether that’s because they’ve been shirked by real publishers or they just have such a small market that they still feel they can sell something that a bigger publisher doesn’t want to deal with.

It’s a judgment call.  If you really think it’s worth it, it’s not a bad idea.  If you’re an author who plans to write a book, or a memoir, and leave it at that, that’s not a bad way to go.  Big publishers don’t like hit it and quit it authors, so to speak.  Their main motivation is money; and if yours is too, I recommend trying to get in with those guys.

Which means getting yourself known so they know what they’re getting into and getting a competent agent that cares about your book as much as you do.  But again, that’s for another time.

This is a difficult task to undertake.  I put a link of a decent outline of what you need to do at the bottom of the page, found in another blog (cause blogs are so rare).  There’s more to it, but that will definitely get you started.

Make sure, if you do self-publish, you have it planned out well.  Once you start the process, it doesn’t stop, and you have to keep it rolling.  If you get lazy, your book sales will show it.

That’s pretty much all I have to say about self-publishing, for now.  I’ll get into marketing and layout in the future.

If you didn’t like my guide, you don’t have to heed it’s thoughts.  You can go to Wikipedia for all I care.  But I know many writers who have published by themselves, and don’t know much about the publishing process.  Yes, it’s nice to be able to hold a copy of your very own book.  But holding that cheaply printed collection of words won’t get you over the fact that you only sold 10 copies.  Know your book, know your audience, know your talent.

Here’s a link to the aforementioned blog: http://articlesonwriting.com/writing/a-quick-guide-to-self-publishing-fiction-works/

Until next Tuesday,

Eric

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Filed under Nonfiction, Self-publishing, Writing, Writing Help

The Beach House

So there she was; she stood on the shoreline.  Gracefully ignoring the gray waves mirroring the sky that quickly toppled over her feet then retracted embarrassedly, her mind remained as still as her body, holding tirelessly onto a single idea.

Olivia, he said. He was a sales analyst at a small firm in upstate New York. Olivia, it’s cold outside. And you’re alone on this beach.  Can’t you stare at the water inside?

She responded with an empty glance and a nod as she was struck by the wind from the water.  She parted from the waves that had at this point become familiar with her feet, and followed the path her husband had made with his footprints.  His back was far ahead of her, a small imprint on a background of green grass and a light gray house. The light blue on his shirt had become stuck to his body from the wind and looked shabby and washed out from the contrast with the sky.

She crossed the threshold into the house.  She peered through heavy eyes at a living room that once held warmth, when he first brought her up to the house.  The lightly used beach furniture surrounding a glass table, lit by the light that normally poured through the large windows surrounding the room; the open wall leading into the kitchen that held appliances drenched in white, all of which were encased by a bar that went into a small outset with a large dining table.  That room led back into the expanded entrance through a small door frame that never held a door-something she always remarked was odd.  To her back was a closet and to her left the stairs.  The upstairs held three bedrooms and a bath, nothing exquisite.

He was sitting in a chair as part of the furniture laying siege to their coffee table reading a book, a literary trifle by Kurt Vonnegut repeating the phrase “So it goes…”

The book was a complete escape to them both.  To him, the read was enough.  But to her, the plot held more disparity with her reality than even she realized.  The random jumps in story, the hectic timing conflicted with the overcast sky and vacation that lasted forever yet offered nothing but a change in scenery from their normal life; yet the morose phrase repeated seemed to bring the book’s escape back to its material reality.

Her stare was suddenly interrupted by her own sigh as she told him she was going to lay down for a nap. Her body pushed down on the mattress in a jaded way and she fell out of consciousness.

*

The two of them had met several years previous at a coffee shop in metro New York and had settled eventually on moving in together halfway between his work and her work in the city.  He travelled and worked from home mostly, so the commute for her was mostly manageable.

Freddy had started an obsession with Kurt Vonnegut shortly after they moved in together, but rarely had the opportunity to read it.  So when they vacationed, usually renting out the house they were in, his second escape was Kurt Vonnegut.

The book was his current focus, his eyes furiously devouring the pages, his mind making sense of what his eyes took in.  The color of the book binding was paled by the overwhelming dreariness of the gray day, but his brain seemed not to notice.  He sat motionless, his mind on the book, his leg on the table and his hands holding what seemed to be his mind’s greatest treasure.

He and Olivia had discussed books a lot when they first met.  It was what their first discussion was over.  They talked about Catch 22, Catcher in the Rye, etc until their coffees were cold and their work had become stale and uninteresting from sitting too long.  At this point, though, he barely looked up from his reading when Olivia had said something or other about napping.

It seemed like something was different now between them.  They used to be playful but now it seemed they just existed together.

Freddy thought he heard a noise in the closet by the front door, but it turned out it was just a broom readjusting itself under the burden of the coats in the closet.  It was enough to rouse his brain into focusing on the present.

He looked at his surroundings.  He never realized how stark everything looked.  The white of the walls and the large windows letting in drab sunlight filtered by clouds lent little to add life to the room.  The fans were off and the air was still-the stillness sapping the color out of the brown door mat, the paintings of ships on the walls, the wood of the floor and the ceiling lamps.  The carpet leading up the stairs was an odd peppering of white and black, mixing together, flecking to gray.

He got up from his chair and went to the door.  He wondered, what was Olivia thinking about earlier?  Maybe it was the weather.  For some reason it was colder than normal.  Or it could be work, that was stressing her out.

Whatever it was, he thought, hopefully it wasn’t bothering her too much.

*

Olivia awoke in an empty city.  She felt trapped in spite of the fact that on any side of her was a straight shot to the country side.  Those large boulevards entrenched in the gaps in the buildings formed grayed carpets for anyone entering from those fields.

As newspapers fluttered around her in the wind she collected herself.

The streets were paved in a dull black and walled by cars that had been parked perfectly but left lifeless for longer than their ignitions could remember.

Lifeless as they were, their colors had faded with nonuse.  At one point brimming with tenacity and fire, their color faded into something used and unwanted.  It was obvious that Olivia didn’t know these cars, at least in this world, but she knew that each one wanted nothing more than to have their pistons pump again.  Looking up from the cars and across the sidewalk they lined, she gawked at buildings that towered relentlessly, keeping the city from flying away; acting as massive paperweights to the streets below.  The dirty windows punctuated gray cement to their tops which came to a flat landing instead of pointed radio towers or rooftop penthouses.

Olivia walked along the middle of the street, shrunk in comparison to the buildings surrounding her.  Lampposts left off, light found its way to the street from somewhere unknown, following her slow movements.

She was the spotlight of a dream.  And then a second light came on, fluttering over a door on her left.  Running to it, she stepped into a bar she knew well.  The open door showed a bar drenched in cigarette smoke, drowning in red light.  It seemed more sinister than she remembered, but her path into the bar was followed almost by instinct.  Her eyes never veered from the bar where an overweight bartender had on a vest and a towel in his hand continuously polishing a glass.  His eyes met hers and seemed to communicate a Hello.  His head began to nod in recognition, and as the bartender nodded to her, he motioned her to a chair at the bar.  The chair had with it a drink already poured, and as she grabbed it a man across the bar raised his glass and got up from his seat.

He came over and stood next to her, introducing himself and putting his hand on the small of her back.  She could tell he was saying something, but none of the words he muttered made any clear sense to her.  What started as something exciting soon grew to something worn and tired.

She suddenly became annoyed at his advance, and her look apparently mirrored her mind’s reaction.  The man developed a look of understanding and retreated.

Overhead she heard The Who sing “Only love can bring the rain…” and the bar’s haze began to grow.  The bartender looked up, slowly putting his glass down while lifting his arms from his stomach, and pointed to a door at the back of the bar.  The door had painted on it something that resembled flames, seeming like warmth and comfort and something familiar yet unknown for a long time.  Though she thought it was a crown of some sort.  Olivia reluctantly followed the instruction and made her way across the bar.

She opened it into darkness and stepped back into herself, the woman asleep in bed.  A sudden flush of warmth ran through her body, then as quickly as it came, it left.  She was then just newly awoken, in bed, realizing the dreary day once again.

*

The room had grown darker; the shades in the room blocking much of the remaining light fighting to fill the room.  In the punctured darkness a green glow was visible from the alarm clock that read 6:03.  A quick investigation revealed that it was indeed still night, not morning the following day.

Downstairs was much better lit, though the remaining sunlight was aided by two lamps at either end of the living room; one in the kitchen, and one overhanging the dining area.  Her memory guided her through her sleep haze to a chair in the living room, next to where he sat still reading his novel.

As the chair sighed under her weight her eyes settled on a bush outside, moved slightly by the wind but remaining stolid in comparison to the grass at its base.  She could feel the wicker in the armchair beginning to make a slight imprint in her arm, so she shifted slightly.  She thought she caught something out of the corner of her eye and her husband mumbled something.  Having not heard what it was her mind started to wonder wildly what he could have said.  It could have been her daze from waking up or just a hope that the dreary day would show excitement, but it could’ve been anything.

Did you say something? she said.

Yeah.  You seemed impatient.  So I asked why?

Disappointment swept over her, followed by a wave of cold  from the house through her body, and she shook to try to evade the chills that proceeded.

I’m going to go for a short walk, try to wake up, she said.

*

The air outside was brisk by this time, biting her behind the ears as the wind blew back her hair.  Her eyes were watering and she pursed her lips, as if she were trying desperately not to let any of the cold air inside of her, if she could help it.  Her steps kicked up sand and the beach grass around her seemed to point her back in the direction of the house.

Olivia and this Freddy had come up to the beach house as part of a tradition, continuing it for a third year.  This year, though, it seemed to be more to rekindle something that had not been for a while, and not for pleasure as it had been in the past.  And as she passed a large rock on the trail she remembered a time their first year, a picnic they had shared on top of it.  The sun was out that day, and the weather hot.  The waves from the lake were pounding the shore but at this distance their sound was only heavy if you focused on it.  The wind was light but constant and the two seemed to be the only two for miles.

Just as a slight smile began to crack her lips a strong breeze blew and barraged her mouth, causing the smile to become pursed lips once again.  And her mind returned to the present day, where the horizon was unrecognizable-its end melting into the lake’s beginning.  For a moment she considered not turning back, looking at the path ahead and not finishing what had started at the beach house.  But at this point there was still some fight left in her.  So she turned back, walking ahead with purpose, letting the day play itself out, and not having much to concede to the survivalist inside her.

*

Freddy had hardly noticed that week Olivia’s distancing herself, or at least had trouble recognizing it.  It was slowly showing itself more, but all gradual changes are harder to see.

He methodically got up from his seat and placed the book on the table, where it relaxed and spread on the glass with the same relief the cushion expressed from Freddy’s getting up.  His eyes caught the gray sky in their peripherals and he realized suddenly how cold the house was.  Walking to the kitchen he began water for the dinner and methodically prepared the rest.  The meat slowly turned to gray in the black pan but then began to take color.

The old house had in the dining area had a wood fire place on the wall parallel to the bar and the long sides of the table, which he filled with wood and kindling and lit.  The fire ignited quickly, but then receded just as quickly, once it hit the density of the wood.  Some smoke started rising, when the wood began to catch, but the fire was slow to react and not yet burning in full.

The door opened and she stepped in from the cold, the two glancing at each other’s presence and then returning each pair of eyes to the tasks at hand.  She removed her coat and shoes and tucked them both in the closet in the entrance.  She went upstairs without a word and may have done so without intent, perhaps just to continue the solitude from her walk.  Freddy stepped away from the fire and turned to the table where, laid out from earlier, were candles and plates and glasses.  Staring at the polished wood he reflected on their first meal at the house, a month after they had first met, the house seeming to glow with warmth.

*

He returned to the kitchen after a while as she came down from the second floor.  He turned off the stove and noticed the gray from the window above the sink had been obscured by the condensation that had collected on it.  The house was now lit mostly with light from the lamps.

Just as he put the dinner on the table and extinguished the light from the kitchen she walked through the kitchen wearing a dress which he recognized from their first dinner at the house.  She smiled feebly at his pause and she sat down.  The fire had caught on the wood and was now at the most intense the fuel would allow, warming the house and flicking a fire glow around the room adjacent the fire place.

His hand flicked a lighter and lit both candles on the table, and just as he did so he caught Olivia’s eyes and a rush of warmth ran through Freddy.  The house was warmer now, comfortable, and the candles filled the lovers’ faces with whatever glow the fire did not supply; and for a moment they felt as if they were at dinner, two years previous: recovering from the entanglement of their arms hours before dinner, ignoring the clouds outside knowing the next day would bring the sun.  Freddy’s lips crackled with a smile, mirroring Olivia’s, as his mind mulled over the words: “…so it goes.”

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